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	<title>Olivia D'Cruz</title>
	<link>https://oliviadcruz.nl</link>
	<description>Olivia D'Cruz</description>
	<pubDate>Tue, 09 Sep 2025 13:43:03 +0000</pubDate>
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		<title>Home page</title>
				
		<link>https://oliviadcruz.nl/Home-page</link>

		<pubDate>Tue, 23 Aug 2022 10:53:23 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

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		<title>The Sinking of Big Daddy Casino</title>
				
		<link>https://oliviadcruz.nl/The-Sinking-of-Big-Daddy-Casino</link>

		<pubDate>Wed, 09 Jul 2025 10:35:38 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/The-Sinking-of-Big-Daddy-Casino</guid>

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	The Sinking of Big Daddy Casino
	Puppet show, video
	2025 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

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The Sinking of Big Daddy Casino is a puppet show about a floating casino on the Mandovi River in North Goa and a growing rebellion against it by the all-seeing-crabs, mudskipper croupier, mangrove bat and pole dancing crocodile. Casinos are illegal in India but through Portuguese hangover laws, they are welcome in Goa as long as they are not on land. So now, in Goa, the middle of a river is considered ‘offshore’. These eyesores are emblems of the current government, selling common land for quick bucks, betting on a single Dreamworld at the cost of many. 
I made this show during the Planetary Poetics masters program at Sandberg Institute. Performed with generous help from classmates Toni Steffens, Lucila Pacheco Dehne, Eshwari Ramsali, Finn Maätita and Feniks. The soundtrack ‘in a world we want..’ was made by Luz Bran&#38;nbsp;


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	<item>
		<title>ARM IN ARM, SWIMMING BACKWARDS</title>
				
		<link>https://oliviadcruz.nl/ARM-IN-ARM-SWIMMING-BACKWARDS</link>

		<pubDate>Tue, 09 Sep 2025 13:43:03 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/ARM-IN-ARM-SWIMMING-BACKWARDS</guid>

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	ARM IN ARM, SWIMMING BACKWARDS
	Performance&#38;nbsp;
	2025&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/c85f443ccb804fa0f7981615fa11644abdc850a3e1e52565bc03a15b7eb8978e/presentatie-Nomadisch-programma---KCDP---beeld-heleen-haijtema---drukwerk-17.jpeg" data-mid="237982981" border="0"  src="https://freight.cargo.site/w/1000/i/c85f443ccb804fa0f7981615fa11644abdc850a3e1e52565bc03a15b7eb8978e/presentatie-Nomadisch-programma---KCDP---beeld-heleen-haijtema---drukwerk-17.jpeg" /&#62;
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During the opening of the exhibition ‘Veranderende Vergezichten’ I performed a scene from my thesis titled Intertidal Maladies. The scene was a reflection on the coast of Noord Holland, once known as the Geestlanden or Spirit lands, was seen as infertile before peat and soil was brought from inland to prepare beds for the propagation of bulbs. The performance was a reflection on the colonial notion of a landscape being ‘infertile’ and how this notion was used to build the Dutch coast before being exported to the colonies.
This is part of ongoing research into coaslines and their industrial, colonial and socio-ecological histories.

This project was was part of the Nomadic program at Kunstcentrum de Ploeg in Wehe den Hoorn.


Photos by Heleen Haijtema</description>
		
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		<title>JE DROOMT OOK VAN JEZELF ALS EEN SCHEPSEL VAN HET MOERAS</title>
				
		<link>https://oliviadcruz.nl/JE-DROOMT-OOK-VAN-JEZELF-ALS-EEN-SCHEPSEL-VAN-HET-MOERAS</link>

		<pubDate>Wed, 04 Oct 2023 12:20:37 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/JE-DROOMT-OOK-VAN-JEZELF-ALS-EEN-SCHEPSEL-VAN-HET-MOERAS</guid>

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	JE DROOMT OOK VAN JEZELF ALS EEN SCHEPSEL VAN HET MOERAS 
(You also dream of yourself as a creature of the swamp)
	Video
	2023&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

&#60;img width="2720" height="1532" width_o="2720" height_o="1532" data-src="https://freight.cargo.site/t/original/i/5b4fa15eb7b447c54ca0ae1ef5e0a510171d08af533dd5567702617cf04c7f69/msf_1000013977.png" data-mid="235564886" border="0"  src="https://freight.cargo.site/w/1000/i/5b4fa15eb7b447c54ca0ae1ef5e0a510171d08af533dd5567702617cf04c7f69/msf_1000013977.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/146335ac62d59a11105a32953fb6822ed8324609cb04920b1bf11521195ca47a/Screenshot-4.png" data-mid="235564887" border="0"  src="https://freight.cargo.site/w/1000/i/146335ac62d59a11105a32953fb6822ed8324609cb04920b1bf11521195ca47a/Screenshot-4.png" /&#62;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fed02770aedd047657faae4efb6ff4148fd8223eadbde3f1f6f83847ed8598f5/Screenshot-6.png" data-mid="235564889" border="0"  src="https://freight.cargo.site/w/1000/i/fed02770aedd047657faae4efb6ff4148fd8223eadbde3f1f6f83847ed8598f5/Screenshot-6.png" /&#62;


In the summer of 2023 I spent 5 weeks in residence at Kunsthuis SYB in Beetsterzwaag, researching the practice of water witching. Water witching, doodlebugging or wichelroede lopen in Dutch, is a method of looking for underground water or mineral sources using a forked twig or two L shaped copper rods. This practice was made popular in the 16th century by the mining industry in Germany. During my stay in Beetsterzwaag, I spoke to neighbours about their relationships with water witching. Through these conversations I learned about the frogs, storks, water bodies and peatlands around the town. The film Je droomt ook van jezelf als een schepsel van het moeras,&#38;nbsp;based on these conversations, is about the joys and tensions between knowing closely and grieving bodies of water.



This project was made possible with the help of Gisanne Hendriks, Gepke and Jan Harmsma and other dear friends in Beetsterzwaag.
watch the film here&#38;nbsp;</description>
		
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		<title>IN THE COURTROOM WITH ROCKS: PLAYGROUND</title>
				
		<link>https://oliviadcruz.nl/IN-THE-COURTROOM-WITH-ROCKS-PLAYGROUND</link>

		<pubDate>Thu, 17 Aug 2023 12:25:07 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/IN-THE-COURTROOM-WITH-ROCKS-PLAYGROUND</guid>

		<description>

	IN THE COURTROOM WITH ROCKS: PLAYGROUND
	Installation
	2023&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5efef584cd223cc740f19afdeca28860d623f1e57116c07e0d1144bf52769f3a/DSCF6937.JPG" data-mid="188172592" border="0"  src="https://freight.cargo.site/w/1000/i/5efef584cd223cc740f19afdeca28860d623f1e57116c07e0d1144bf52769f3a/DSCF6937.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/460579205880880107d7fe1e9587710ef6d0d52ad27a5afeeb4291ab00a38579/DSCF6887.JPG" data-mid="188172591" border="0"  src="https://freight.cargo.site/w/1000/i/460579205880880107d7fe1e9587710ef6d0d52ad27a5afeeb4291ab00a38579/DSCF6887.JPG" /&#62;
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&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/46024b6545899455abd1bfb4fc0e3b494f11eaffbd877c92e461f3a9dc862259/DSCF6513.JPG" data-mid="188172586" border="0"  src="https://freight.cargo.site/w/1000/i/46024b6545899455abd1bfb4fc0e3b494f11eaffbd877c92e461f3a9dc862259/DSCF6513.JPG" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/bfbd13574ff2f35a97f3a46a47fb979741b141716ce2630e364218228042ad6b/DSCF6883.JPG" data-mid="188172590" border="0"  src="https://freight.cargo.site/w/1000/i/bfbd13574ff2f35a97f3a46a47fb979741b141716ce2630e364218228042ad6b/DSCF6883.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/efdf897e3411083918ccc4daa6ca3fd6b2f5315ffd97293bf05b19c9b49e40d9/DSCF7066.JPG" data-mid="188172593" border="0"  src="https://freight.cargo.site/w/1000/i/efdf897e3411083918ccc4daa6ca3fd6b2f5315ffd97293bf05b19c9b49e40d9/DSCF7066.JPG" /&#62;
Between watching films from the project ‘In the Courtroom with Rocks’ visitors of the ‘Courtroom’ were invited to play in a pile of sand with ceramic and wooden instruments based on mining practices. The installation reflected on the movement of raw materials in a landscape and the separation of ‘pure’ and waste material. The pile of sand was shifted, sifted, prodded, dug into, slapped into molds and played in, leaving new traces/scars/pits each day of the festival.The installation was part of the Expedition route at Oerol 2023.

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		<title>A HOUSE TO INHERIT: POSTCARDS FROM THE FUTURE</title>
				
		<link>https://oliviadcruz.nl/A-HOUSE-TO-INHERIT-POSTCARDS-FROM-THE-FUTURE</link>

		<pubDate>Thu, 17 Aug 2023 13:00:41 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/A-HOUSE-TO-INHERIT-POSTCARDS-FROM-THE-FUTURE</guid>

		<description>
	A HOUSE TO INHERIT: POSTCARDS FROM THE FUTURE
	Installation
	2023&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8d13a0ed18599061dada8944fe99fe371d4b1421b94704f85e9926b250b25f7d/Yellow-guy.jpg" data-mid="188174385" border="0"  src="https://freight.cargo.site/w/1000/i/8d13a0ed18599061dada8944fe99fe371d4b1421b94704f85e9926b250b25f7d/Yellow-guy.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/19a52f11291f72626663e15520f38b929f84215eff6aed2fba474772bb2a61f7/Pink-guy.jpg" data-mid="188174384" border="0"  src="https://freight.cargo.site/w/1000/i/19a52f11291f72626663e15520f38b929f84215eff6aed2fba474772bb2a61f7/Pink-guy.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/b30e3c760005f85d7e3b3e26e08390cd46000854bd2b3ca5dca20662daeed2d0/IMG_9430.JPG" data-mid="188174403" border="0"  src="https://freight.cargo.site/w/1000/i/b30e3c760005f85d7e3b3e26e08390cd46000854bd2b3ca5dca20662daeed2d0/IMG_9430.JPG" /&#62;
&#60;img width="3712" height="5568" width_o="3712" height_o="5568" data-src="https://freight.cargo.site/t/original/i/f382e0460dab20b071e783296d42c8782ceec51341f715adde8e332549419755/OL9BFE1.JPG" data-mid="237986013" border="0"  src="https://freight.cargo.site/w/1000/i/f382e0460dab20b071e783296d42c8782ceec51341f715adde8e332549419755/OL9BFE1.JPG" /&#62;
&#60;img width="892" height="595" width_o="892" height_o="595" data-src="https://freight.cargo.site/t/original/i/1889e9930adaf1f348ac23a4d2f72af6a8822bbe904c09d5a35827a7c5f966f0/20230622_byWouterBrem_KUNSTPUNT-A-HOUSE-TO-INHERIT-HIGHRES_004.jpg" data-mid="237984586" border="0"  src="https://freight.cargo.site/w/892/i/1889e9930adaf1f348ac23a4d2f72af6a8822bbe904c09d5a35827a7c5f966f0/20230622_byWouterBrem_KUNSTPUNT-A-HOUSE-TO-INHERIT-HIGHRES_004.jpg" /&#62;
Three giant puppets rest in the Tschumi Pavilion after a long walk around the province of Groningen. They’ve been writing postcards about the things theyve witnessed. About their past lives as birds, about the gas beneath the Wadden Zee. They write to the guy in the suit at the Nederlandse Aardolie Maatschapij who is on holiday to ask him whether he has found inner peace. They write about a lettuce choir and about a Great Sacrifice.&#38;nbsp;
These postcards were exhibited alongside the memories of the giants resting at the Herenplein.&#38;nbsp;The work was on view at the Tschumi Pavilion in Groningen in the summer of 2023.
The postcards were written by Finn van der Ziel and the project was made in collaboration with Marina Sulima.

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	<item>
		<title>  A MINE AND IT'S WATERY EXTENSIONS</title>
				
		<link>https://oliviadcruz.nl/A-MINE-AND-IT-S-WATERY-EXTENSIONS</link>

		<pubDate>Tue, 23 Aug 2022 12:58:09 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/A-MINE-AND-IT-S-WATERY-EXTENSIONS</guid>

		<description>

	

A MINE AND IT’S WATERY EXTENSIONS&#38;nbsp; 


	Installation
	2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/9a1ad284998a5c84eac8ae76ef05076dffd644dbaf25d3d670a65629772ecc42/In-the-Courtroom-With-Rocks--installation-view--Noorderlicht--Monika-Balu-13.jpg" data-mid="153339869" border="0"  src="https://freight.cargo.site/w/1000/i/9a1ad284998a5c84eac8ae76ef05076dffd644dbaf25d3d670a65629772ecc42/In-the-Courtroom-With-Rocks--installation-view--Noorderlicht--Monika-Balu-13.jpg" /&#62;
&#60;img width="5440" height="3627" width_o="5440" height_o="3627" data-src="https://freight.cargo.site/t/original/i/83e91acad84248086cb5549ec4fe36f7f879d256c357efe253db54a449b1f5f1/In-the-Courtroom-With-Rocks--installation-view--Noorderlicht--Monika-Balu-12.jpg" data-mid="153339868" border="0"  src="https://freight.cargo.site/w/1000/i/83e91acad84248086cb5549ec4fe36f7f879d256c357efe253db54a449b1f5f1/In-the-Courtroom-With-Rocks--installation-view--Noorderlicht--Monika-Balu-12.jpg" /&#62;
&#60;img width="5319" height="3546" width_o="5319" height_o="3546" data-src="https://freight.cargo.site/t/original/i/526a841779cee0df60cd77c1ae4216b4d5a5a014aae7cd4f090c361616c9ff49/In-the-Courtroom-With-Rocks--installation-view--Noorderlicht--Monika-Balu-15.jpg" data-mid="153339874" border="0"  src="https://freight.cargo.site/w/1000/i/526a841779cee0df60cd77c1ae4216b4d5a5a014aae7cd4f090c361616c9ff49/In-the-Courtroom-With-Rocks--installation-view--Noorderlicht--Monika-Balu-15.jpg" /&#62;




When an iron ore mine breaches the water table, local springs run dry, heavy metals seep into wells. Water that feeds the Jamun trees, the Bison and the Rasbora, trickles into the acidic stomach of the mine, only to be pumped out again. Further down the production line, the iron ore is bathed in water and sent off on its journey down the Mandovi river. The same river that the Portuguese colonizers sailed up 450 years ago and drew the first mining leases.&#38;nbsp;



















The installation, an ode to the beings and the water affected by iron ore mining in Goa, was part of the project ‘In the Courtroom with Rocks’, created together with Marina Sulima.

Photographed by Monika Balu</description>
		
	</item>
		
		
	<item>
		<title>  	Fe203 A DREAM</title>
				
		<link>https://oliviadcruz.nl/Fe203-A-DREAM</link>

		<pubDate>Tue, 23 Aug 2022 12:27:59 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/Fe203-A-DREAM</guid>

		<description>

	

Fe203 A DREAM &#38;nbsp; 


	Short film, 9’55”
	2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/016282bcb774d7588b36a06a1c296dc6e5ba9e0df648443880c115792d61f198/Screenshot-407.png" data-mid="151100138" border="0"  src="https://freight.cargo.site/w/1000/i/016282bcb774d7588b36a06a1c296dc6e5ba9e0df648443880c115792d61f198/Screenshot-407.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0e78fb1f337344fbf363f51c198f8bbd63e3243a712f1910ea57dfdfff172670/Screenshot-406.png" data-mid="151100137" border="0"  src="https://freight.cargo.site/w/1000/i/0e78fb1f337344fbf363f51c198f8bbd63e3243a712f1910ea57dfdfff172670/Screenshot-406.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8f9704998e4da30e8a1dc96b8d3a1ed85181f66e78107214eaf31ed2b9720172/Screenshot-405.png" data-mid="151100136" border="0"  src="https://freight.cargo.site/w/1000/i/8f9704998e4da30e8a1dc96b8d3a1ed85181f66e78107214eaf31ed2b9720172/Screenshot-405.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7f1c8f98155b05e1f5cd2591f37bda4ea4aad036c90cea59f7d453f709d201d4/Screenshot-437.png" data-mid="153337180" border="0"  src="https://freight.cargo.site/w/1000/i/7f1c8f98155b05e1f5cd2591f37bda4ea4aad036c90cea59f7d453f709d201d4/Screenshot-437.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e4f4b629df7237a7002020639d477b6e31fb57500024ddf850ba26d586e6cc3d/Screenshot-436.png" data-mid="153337179" border="0"  src="https://freight.cargo.site/w/1000/i/e4f4b629df7237a7002020639d477b6e31fb57500024ddf850ba26d586e6cc3d/Screenshot-436.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2f4acb2f6f975b151ea64a9bb2cf2bc9c8cd045c7c8039b7bdcc60b051124b13/Screenshot-435.png" data-mid="153337178" border="0"  src="https://freight.cargo.site/w/1000/i/2f4acb2f6f975b151ea64a9bb2cf2bc9c8cd045c7c8039b7bdcc60b051124b13/Screenshot-435.png" /&#62;




A retelling of the troubles of a
local farmer and retired activist, C, from Quepem, South Goa where iron ore
mining has resulted in the drying up of 6 springs. She worries about the future
of her daughter and her farm in a time where the local government favours quick
bucks over ancient ecosystems. In a dream she finds herself back at the mining
pit where she meets three figures, the future generations, who break some bad
news.



















The film is part of the exhibition ‘In the Courtroom with Rocks’, created together with Marina Sulima.
watch the film here</description>
		
	</item>
		
		
	<item>
		<title>The Spectators</title>
				
		<link>https://oliviadcruz.nl/The-Spectators</link>

		<pubDate>Mon, 25 Apr 2022 07:13:15 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/The-Spectators</guid>

		<description>

	THE SPECTATORS
	Animation, installation 3’16”
	2021&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

&#60;img width="400" height="300" width_o="400" height_o="300" data-src="https://freight.cargo.site/t/original/i/10e3993d74961ea9a53b62b348d575ca4f9d10923e952d77341c31557b359c94/Screenshot-cat.jpg" data-mid="140585051" border="0"  src="https://freight.cargo.site/w/400/i/10e3993d74961ea9a53b62b348d575ca4f9d10923e952d77341c31557b359c94/Screenshot-cat.jpg" /&#62;
&#60;img width="400" height="300" width_o="400" height_o="300" data-src="https://freight.cargo.site/t/original/i/bc76b2f25b8de03c8c431835918e3c546d08f8d48740319e37d34d6ce16c63e6/Screenshot-347.jpg" data-mid="140585050" border="0"  src="https://freight.cargo.site/w/400/i/bc76b2f25b8de03c8c431835918e3c546d08f8d48740319e37d34d6ce16c63e6/Screenshot-347.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/42fba59b6011d3e91bd70809f617e8b7019a3fe40c5d94f51afd89de18b7092a/DSCF2661.JPG" data-mid="140585021" border="0"  src="https://freight.cargo.site/w/1000/i/42fba59b6011d3e91bd70809f617e8b7019a3fe40c5d94f51afd89de18b7092a/DSCF2661.JPG" /&#62;
&#60;img width="400" height="300" width_o="400" height_o="300" data-src="https://freight.cargo.site/t/original/i/777fcaf0afbd864fc2c94cb711a6b24e84a2bc07d4281490f9516e8a8397d600/Screenshot-niels.jpg" data-mid="140585053" border="0"  src="https://freight.cargo.site/w/400/i/777fcaf0afbd864fc2c94cb711a6b24e84a2bc07d4281490f9516e8a8397d600/Screenshot-niels.jpg" /&#62;
The Spectators is an installation and animation featuring the
Slingertuin, a care farm where animals play a role in the healing of people. This
farm, like many others in the province of Groningen, has been damaged by
earthquakes, caused by decades of gas mining. 

While filming the animals, I noticed one inquisitive guineafowl was keeping an eye on me and Niels, the goose, shimmied and screeched at me regularly. They reminded me that I am also a predator and an intruder along with an artist, human etc.




















I was invited by Museum Villa Mondriaan to respond to one of Piet Mondriaan’s early paintings, Boerderij 1895. 

The work was part of the exhibition Jong en Veelbelovend at Museum Villa Mondriaan in Winterswijk in 2021.</description>
		
	</item>
		
		
	<item>
		<title>Het Vogelnest</title>
				
		<link>https://oliviadcruz.nl/Het-Vogelnest</link>

		<pubDate>Wed, 17 Nov 2021 20:15:14 +0000</pubDate>

		<dc:creator>Olivia D'Cruz</dc:creator>

		<guid isPermaLink="true">https://oliviadcruz.nl/Het-Vogelnest</guid>

		<description>

	HET VOGELNEST (The Bird Nest)
	Workshop, Short film 7’28”
	2021&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fe87c6d09d9d84649773660b6f4c91a2577853159932cd6c244489541ba6be35/Screenshot-382.png" data-mid="124903304" border="0"  src="https://freight.cargo.site/w/1000/i/fe87c6d09d9d84649773660b6f4c91a2577853159932cd6c244489541ba6be35/Screenshot-382.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2b5225c4b92a6365752de49d019587d4dfa37b82ea6168afe4e08dce41bf5eee/Screenshot-380.png" data-mid="124903301" border="0"  src="https://freight.cargo.site/w/1000/i/2b5225c4b92a6365752de49d019587d4dfa37b82ea6168afe4e08dce41bf5eee/Screenshot-380.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ea478c4b2f7bb0b9431c721d82b7b2e5670613b794fc13237db880f861fdb2a6/Screenshot-360.png" data-mid="124905213" border="0"  src="https://freight.cargo.site/w/1000/i/ea478c4b2f7bb0b9431c721d82b7b2e5670613b794fc13237db880f861fdb2a6/Screenshot-360.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/377aa1a68289bb066b19bca7459e48598cf7e41888e00a434008291f6cc8a2eb/Screenshot-388.png" data-mid="124903327" border="0"  src="https://freight.cargo.site/w/1000/i/377aa1a68289bb066b19bca7459e48598cf7e41888e00a434008291f6cc8a2eb/Screenshot-388.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c55ad2c3c392e25495cc06db74fc7ea77078bde1ca8216c15b5cd19d92db818b/Screenshot-387.png" data-mid="124903320" border="0"  src="https://freight.cargo.site/w/1000/i/c55ad2c3c392e25495cc06db74fc7ea77078bde1ca8216c15b5cd19d92db818b/Screenshot-387.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e97f5e2050227ded7d8bfe854e3f38fcae66819c6b9caeab6c5d4cee075ebb6f/Screenshot-354.png" data-mid="124905211" border="0"  src="https://freight.cargo.site/w/1000/i/e97f5e2050227ded7d8bfe854e3f38fcae66819c6b9caeab6c5d4cee075ebb6f/Screenshot-354.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c95c957b501d509244994805077b4c29ca63b9182bbb9d95027e8926b7465f28/Screenshot-386.png" data-mid="124903319" border="0"  src="https://freight.cargo.site/w/1000/i/c95c957b501d509244994805077b4c29ca63b9182bbb9d95027e8926b7465f28/Screenshot-386.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7c3ebf89e8cc9cd7c30502362afc5c57a2584f7f4747b728a25b3095528f0ded/Screenshot-362.png" data-mid="124905215" border="0"  src="https://freight.cargo.site/w/1000/i/7c3ebf89e8cc9cd7c30502362afc5c57a2584f7f4747b728a25b3095528f0ded/Screenshot-362.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f779cecb2d9aaef653bf40d6079075ef6d57459396d79152cd30ff2ba4d38f4d/Screenshot-357.png" data-mid="124905212" border="0"  src="https://freight.cargo.site/w/1000/i/f779cecb2d9aaef653bf40d6079075ef6d57459396d79152cd30ff2ba4d38f4d/Screenshot-357.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b6dc7e289c77232a8abb742e4c85d93f1a49b48c584babad749fc7201c8ea2a2/Screenshot-384.png" data-mid="124903312" border="0"  src="https://freight.cargo.site/w/1000/i/b6dc7e289c77232a8abb742e4c85d93f1a49b48c584babad749fc7201c8ea2a2/Screenshot-384.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8628a1e8d1af64bc797d37513809900e2ac1ded1f5a859d0d4dd621d44f3000e/Screenshot-383.png" data-mid="124903308" border="0"  src="https://freight.cargo.site/w/1000/i/8628a1e8d1af64bc797d37513809900e2ac1ded1f5a859d0d4dd621d44f3000e/Screenshot-383.png" /&#62;
Het Vogelnest was a walk-in workshop developed for children at Cinekid festival 2021. The participants and their parents transformed into our beloved city birds, the ooievaar, duif, meerkoet, and eend, among others. They were invited to interview each other about life in the city. Topics ranged from poop to politics to pancakeships.



Project with Cinekid festival






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